Unified Ad Platform

Seven Disney ad-sales brands brought onto one platform without breaking the workflow it already ran.

Disney (DTCI) · 2019–21 · Senior UX Designer

Challenge

ESPN was already operating on AdVisor. Every other Disney ad-sales brand ran its own platform, with its own tooling, language and operational expectations — so booking across the portfolio meant working in unrelated systems. The job was bringing those brands onto AdVisor without regressing the workflow ESPN depended on every day.

Approach

Started by mapping the decision flow rather than the screens, building a current-state workflow map that exposed handoffs, timing windows and operational risk across teams. Aligned eight brand perspectives on a shared model without flattening the differences that mattered, then designed dense data views as decision surfaces and built reusable interaction patterns engineering could turn into React components for future Adapt design-system alignment.

Outcome

Disney ad-sales brands unified under AdVisor with the ESPN baseline preserved and brand-specific needs still supported. Standardised product language, reusable interaction patterns, and groundwork for Adapt alignment. Directors and stakeholders aligned, and follow-up interviews turned into user stories that made later discovery easier.

Overview

AdVisor is the ad-sales platform at Disney's Direct-to-Consumer and International group. When this project started it served ESPN and no one else. ABC, Disney, Hulu, ABC News, Freeform, FX Networks and National Geographic each ran its own tooling — jda, WideOrbit, PACE, NCS and OnAir among them — so booking across the portfolio meant working in unrelated systems. The work was consolidating those seven brands onto one platform, and the constraint that shaped everything was that ESPN's existing workflow could not regress while it happened.

The work was about decision confidence, not decoration. Expert users needed speed, control, validation and workflow clarity inside a high-value operational system where a mistake has real money attached.

Disney brand lineup — ABC, Disney, ESPN, Freeform, FX Networks and National Geographic — each paired with its own ad-sales tooling including jda, WideOrbit, PACE, NCS and OnAir
Before unification: brand-specific ad-sales platforms and operating models.

My role

September 2019 to March 2021. Started as a UX designer on the effort and moved into the lead designer role toward the end, leading two other designers on this project.

Why it was complex

Consolidation was a workflow problem before it was a UI problem. Complex products fail when the team simplifies away the constraints their users actually work under, so the standard here was to simplify without dumbing down. The difficulty came from several directions at once:

Aligning eight brand perspectives

Each brand had valid operational needs. The design challenge was creating a shared model without flattening the differences that actually mattered to how those teams worked.

What the audit covered

Before anything was designed, the existing platforms were audited across every brand — reporting, client relations, dashboards and data visualisation, and the internal communications teams relied on to move work between them. It is what turned the legacy-language problem from an impression into an inventory: the same business concept named several different ways, each name load-bearing for the team that used it.

Icon audit findings documenting inconsistent iconography across the existing brand platforms and the consolidated set proposed to replace it
An icon audit fed the standardised pattern set.

Mapping the decision flow, not the screens

Discovery started with the decision flow rather than the interface. The goal was finding where users needed speed, where they needed control, where they needed validation, and where they needed confidence before committing to an action.

Whiteboard covered in a hand-drawn NCS traffic scheduling flow, with log freeze, exception buckets, optimization engine steps and open questions annotated in red and green marker
Early workflow mapping for traffic scheduling and operational edge cases.

The most important early design artifact was not a mockup. It was the workflow map — a current-state view that made handoffs, timing windows and operational risk visible to people who had only ever seen their own part of it.

Detailed current-state workflow diagram spanning the traffic window from five days to air through day of air, showing log freeze, manual scheduling, copy instructions, agency confirmations and change management across swimlanes
A detailed current-state workflow revealed decision points across teams and timing windows.

The map traced how a single decision actually moved: through sales, traffic, promo, legal, operations, research and accounting. Seeing the whole chain at once is what made the product conversations concrete — people who had only ever worked one step of it could finally point at where it broke.

What the research changed

The product model had to be shared, but not generic. Six things came out of discovery that shaped everything after it:

Design principles

The strategy was to preserve expert control while making the decision path clearer and more consistent.

Funnel diagram showing ABC, Disney, Hulu, ABC News, Freeform, FX and National Geographic converging into AdVisor, with a note that ESPN is already using AdVisor
Brand workflows consolidated into AdVisor while preserving the ESPN baseline.

Making high-volume decisions scannable

Dense grids had to work as decision surfaces. Users needed to scan a few hundred deals, filter to the relevant slice, compare across rows and identify the next action without losing their place.

AdVisor Manage Deals grid showing 200 results with a search and filter panel, columns for deal ID, media type, proposal type, advertiser, deal status, marketplace, flight dates and gross budget
High-volume proposal data organised for scanning, comparison and action.

Complex tasks were structured around how expert users already thought about the work: summary first, then validation, then exceptions, then action. Expert users do not need less information — they need the right information at the right decision moment, so progressive disclosure was used to control timing rather than volume.

Deal management view showing NBA Playoffs airings with unit status, rate card values, variants and overbooked warnings, with discard and save actions anchored at the bottom
A data-heavy workflow organised around decision moments and action confidence.
Liability groups grid showing grouped deal records with status columns and comparison values across brands
Liability tracking reorganised so exceptions surface alongside the records they affect.

A foundation beyond one workflow

The interaction patterns were designed to be reused. Navigation, search, forms, validation, status and save/submit actions were standardised so engineering could translate them into scalable React components, and so the work could later align to Adapt, Disney's cross-brand design system.

That went further than a pattern list. By the end, UX and engineering had started an ad-sales design system in its own right — documentation alongside the React components — built so the team could switch it on when they were ready instead of retrofitting one later.

RFP creation form showing client information, flight dates, budget, marketing materials and required-field validation, with repeated patterns for inputs, selects and save actions
Repeated patterns: navigation, search, forms, validation, status and save/submit actions.

Outcomes

Product: the first wave brought FX Networks, National Geographic and Freeform onto AdVisor, with ESPN functionality preserved and brand-specific needs still supported inside a shared workflow. Platform migration finished ahead of user onboarding: the brands were live in AdVisor while their teams were still being moved across in stages. Ahead of the full release some Freeform users had yet to be onboarded, and everyone already migrated was doing their day-to-day work in the new system rather than the one it replaced.

System: standardised product language, reusable interaction patterns, and an ad-sales design system started with documentation and React components intended for Adapt alignment.

Process: directors and stakeholders aligned, follow-up interviews turned into user stories, and future discovery and delivery made easier.

Reflection

Knowing the limits of what could be researched with the resources available — and knowing when to hand a concept off — mattered more than any single design decision. Resources were scarce early and plentiful later, which changed what was possible at each stage. The platform still had a long way to go, but the shared model and the pattern library gave the next team something to build on rather than around.